Charlotte de Witte is one of the most active producers in the current techno industry. Her meteoric rise in the last two years has placed her as one of the artists that any lover of the genre should go to see at least once. Belgium was a country lacking in new talent. Icons of the scene such as 2ManyDjs or Marco Bailey remain as historical references of the country. Now, together with Amelie Lens, Charlotte de Witte has placed Belgium in a privileged position again. The past of our protagonist under other aliases remained hidden from the big spotlights. In the last two years, Charlotte de Witte has performed at top-of-the-line festivals such as Tomorrowland, Awakenings, Ultra or Sónar, making her musical selection recognized around the world.
This next Sunday, September 9th, Xceed and SIGHT bring Charlotte de Witte to one of the last techno Sundays at Pacha Barcelona, before the electronic party of the two cherries club moves to Fridays from October on. We know that on Sundays, sometimes, it’s difficult to stay up late, so we have researched and navigated through Charlotte de Witte‘s last sets and we have compiled this list with 10 of the most used tracks during her last gigs. If you had doubts about whether to come on September 9th, here you have 10 great reasons why you should take the right decision: techno!
Spektre – Carnival Of Souls (Original Mix) [Respekt Recordings]
https://www.youtube.com/watch?v=BxZrZJlD87M
Roberto Capuano – Define (Original Mix) [Suara]
Ben Long – The Solver (Charlotte de Witte Remix) [Bulletdodge Records]
Steve Shaden – Bad Habits (Original Mix) [RENESANZ]
Keith Carnal – Racidence (Original Mix) [ARTS]
Kobosil – Path [Marcel Dettmann Records]
https://www.youtube.com/watch?v=k4IaAO7Xni8
The Reactivitz – I Can Wait (Rudosa Remix) [Respekt Recordings]
https://www.youtube.com/watch?v=MJGc5ec2mOo
Charlotte de Witte – Kuda (Original Mix) [NovaMute]
Jones & Stephenson – The First Rebirth (Charlotte De Witte Rework) [Bonzai Records]
Push – Universal Nation (Original 12″ Mix) [Bonzai Records]
(Cover Image: © Marie Wynants)
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