{"id":28490,"date":"2024-03-22T21:18:59","date_gmt":"2024-03-22T19:18:59","guid":{"rendered":"https:\/\/xceed.me\/blog\/?p=28490"},"modified":"2024-03-25T12:38:33","modified_gmt":"2024-03-25T10:38:33","slug":"anetha-mothearth-debut-album","status":"publish","type":"post","link":"https:\/\/xceed.me\/blog\/en\/anetha-mothearth-debut-album\/","title":{"rendered":"Anetha presents ‘Mothearth’, her chameleonic and assertive debut album"},"content":{"rendered":"\n

The boundaries of electronic music are becoming increasingly fluid, and leading the ship of versatility we find artists such as Anetha<\/a><\/strong>. The French DJ, producer, and label mama is in the spotlight with the release of ‘Mothearth’<\/strong><\/em>, her first studio album<\/strong> consisting of ten tracks via Mama told ya<\/a><\/strong>.<\/p>\n\n\n\n

The Bordeaux native kicks off this LP with ‘Girls Are Fascinating’<\/em>, an intro full of experimental textures as an exaltation of female talent. Once in, we come across ‘Terraphoria’<\/em>, a track that, along with ‘Hit No Parade’ <\/em>and ‘Beauty Of Nothing’<\/em>, reveals Anetha’s more groove, acid, progressive, but always peculiar side. It’s also worth noting that all the vocals on the album are by Anetha herself, giving this long-awaited creation a closer touch.<\/p>\n\n\n\n

It seems that her architectural background has helped maintain an avid vision for design, also in music. Outside the norm, Anetha surprises with ‘Let me d&be’<\/em>, a production purely dedicated to drum and bass, and ‘Sorry For Being So Sexy’<\/em>, a declaration of intentions within an industry eager to breathe fresh air.<\/p>\n\n\n\n