{"id":19628,"date":"2020-04-01T12:30:19","date_gmt":"2020-04-01T10:30:19","guid":{"rendered":"https:\/\/xceed.me\/blog\/?p=19628"},"modified":"2020-04-01T12:27:43","modified_gmt":"2020-04-01T10:27:43","slug":"xceed-premiere-007-andres-campo-monsters-at-the-toilet","status":"publish","type":"post","link":"https:\/\/xceed.me\/blog\/en\/xceed-premiere-007-andres-campo-monsters-at-the-toilet\/","title":{"rendered":"Xceed Premiere 007: Andres Campo \u2013 Monsters At The Toilet"},"content":{"rendered":"

To associate the name of Andres Campo<\/a> to the one of Florida 135<\/a> is so automatic as inevitable, despite it’s undeniable that, nowadays, Andres Campo is much more than this. The DJ from Huesca gave the first kick-off to his career as the resident DJ of Fraga’s club, known as Catedral, without any doubt one of the most emblematic spots of Spain, and so, also of Europe and of the world.<\/p>\n

From that coordinate close to the desert, where the legendary Monegros Desert Festival<\/a>\u00a0takes place, Andres launched a message in which techno patterns predominate, but in which makina, trance, the hardest genres and the old-school sounds have always had an important role. Today, Andres Campo is much more than Florida 135. His accurate and meticulous musical selection echoes all over the world and his studio work has made its way to some of the best labels on the international rooftop scene. Among them, Tronic Music, owned by the great Christian Smith.<\/p>\n

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\"Xceed-Andres
Image: \u00a9 Press Kit Andres Campo<\/em><\/span><\/figcaption><\/figure>\n


\nTronic has always been among my favourite labels, and I’ve known Christian for a long time, so, when I had some tracks that I thought would fit in, I shot the dart.<\/em><\/p>\n

Andres Campo sent several tracks to Christian Smith and it was the Swedish artist who chose the four that compose the EP Therapy, the debut of the Spanish artist on Tronic Music, which will be released this coming April 6th.<\/p>\n

To tell the truth, I don’t always follow the same procedures when it comes to producing, but I can tell you that Ableton Live is where I do all my track editing. For example in Basik<\/em> [last track of the EP], the percussions come from my elektron Digitakt, using an Lfo on the sample slot of my library, where I also added several drums, that’s why they are so \u201ccrazy”. In \u201cTherapy\u201d I used the Roland sh-01a and added a distortion with the elektron Heat. \u201cMonsters\u201d and \u201cRegrets\u201d have several parts of the Sylenth1 and Roland se-02 synth.<\/em><\/p>\n

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