{"id":13732,"date":"2018-08-08T17:02:53","date_gmt":"2018-08-08T15:02:53","guid":{"rendered":"https:\/\/xceed.me\/blog\/?p=13732"},"modified":"2018-08-08T17:02:53","modified_gmt":"2018-08-08T15:02:53","slug":"code-and-distortion-in-the-new-aphex-twins-collapse-ep-listen-to-it-now-on-the-xceed-blog","status":"publish","type":"post","link":"https:\/\/xceed.me\/blog\/en\/code-and-distortion-in-the-new-aphex-twins-collapse-ep-listen-to-it-now-on-the-xceed-blog\/","title":{"rendered":"Code and distortion in the new Aphex Twin’s Collapse EP. Listen to it now on the Xceed blog!"},"content":{"rendered":"

Collapsed. This is how we got this morning after listening to the first notes of the new Aphex Twin<\/strong><\/a>‘s release. From the beginning of August, the subway tunnels at London, New York, Turin<\/a>, Los Angeles and Tokyo<\/a> showed mysterious paintings that undoubtedly referred to the British producer. The message was clear: new music was on the way. Richard D. James<\/a> is “the most influential artist of contemporary electronic music,” according to The Guardian, and productions like “Collapse”<\/strong>\u00a0are there to back it up.<\/p>\n