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Electronic Music Forecast: What To Expect in 2025

By Constancia Moreno

February 05, 2025

The electronic music industry is heading into one of its most thrilling yet unpredictable years. While some trends are booming, others are on the verge of collapse. As evolution and nostalgia merge, the demand for deeper community connections, experimentation with both sound and event production, and a return to club culture’s raw roots has never been louder.What will define 2025? Where are DJs, promoters, and industry leaders placing their bets? We handed the mic to some of today’s most influential voices to break it all down.

Bookings: The Bubble is About to Burst

Clubland is at a crossroads. Superclubs are swallowing ticket sales, leaving mid-sized venues gasping for air. But at the same time, small, underground spaces could be flourishing by doubling down on curation, collectives and resident nights, and stripped-back experiences.

Headliners have become too expensive to attend clubs, and they are stuck now into the festival game (…on their way to ruin it as well). Damir Ivic (Journalist – Soundwall / Rolling Stone Italia)

Steven Braines (HE.SHE.THEY Co-founder) paints a stark picture: “Mid-sized venues struggle, as huge clubs take so many tickets out the market. Smaller venues with niche audiences can thrive, but the margins are tight. Amber in Manchester is a great example. No phones, secret line-ups, sick sound, accessible ticket price, and strong curation. Younger people who have been to bigger venues are starting to refine their taste and discover more underground acts.”And if you think the club bubble is the only one about to burst, think again. Damir Ivic (Journalist – Soundwall / Rolling Stone Italia) warns: “Headliners have become too expensive to attend clubs, and they are stuck now into the festival game (…on their way to ruin it as well). If you still see them around in places that are not festivals or money laundry machines, it’s because they’re longtime friends with the local promoter. The good news? Resident-driven nights and underground scenes are making a comeback, bringing club culture where it started decades ago.”

Steven Braines (HE.SHE.THEY Co-founder)
Damir Ivic (Journalist – Soundwall / Rolling Stone Italia)

Marketing & Promotion: How to Stand Out in an Oversaturated Scene

In a digital world overflowing with content, standing out as a promoter is more challenging than ever. Audiences are demanding more than big bookings—they want originality, undiscovered venues, and immersive experiences.

Jean Mauj (Hungry4 Founder) explains the issue: “The biggest challenge will be standing out as a brand without relying on big-name artists. Once you discover a unique venue or a standout marketing idea, it can quickly be replicated. Tackling this challenge on an event-by-event basis and coming up with creative responses will be key.”

Jean Mauj (Hungry4 Founder)
Nuke (FABRIK Madrid Booking Director / CODE Co-founder)
The biggest challenge will be standing out as a brand without relying on big-name artists. Jean Mauj (Hungry4 Founder)

Nuke (FABRIK Madrid Booking Director / CODE Co-founder) adds that technology and booking reinvention will play an essential role: “There will be important technological advances that will give us new ways to improve the experience of attending an event. Headliners will remain key, but audiences will start looking for the next step. This year, imagination and originality will be crucial for promoters.” Take it from Amelie Lens and Charlotte de Witte themselves, who have just turned the scene upside down with one of the most unique b2b’s in techno history.

This evolution will replicate in content developers, as Lorenzo TNC (Content Creator) mentions: “On the visual side, there’s an opportunity for personalized, unique approaches to visuals, with more artists and creators developing their own styles. This shift will allow for more tailored content and stronger relationships between creators and artists”.

Lorenzo TNC (Content Creator)

The Sound of 2025: Hard Techno and the Slow-Down Effect

Musically, 2025 is within two extremes—on one side, hard techno continues its takeover, proving that what some called a passing trend is here to stay. On the other, a growing movement toward slower, more melodic and experimental club sounds is gaining traction.

Alex Montoya (Partner Analog Agency / Time Warp Spain / Bassement Club) confirms: “The hard techno boom will continue, which many thought was a fad. We will see it at big international festivals, on main stages. Eurodance will continue to grow its community and we will see other styles in good health, such as house. New clubs, new festivals and big projects are opening and there is still a lack of professionals who know what needs to be done.”

Meanwhile, Hayley Illing (TOYTOY Resident / And Club Social & Marketing Manager) predicts a slower shift: “Electronic music could slow down again, with Lo-Fi, Downtempo, and slower House and Techno gaining traction.”

Could this be the start of a new era for dance music? One thing’s for sure—2025 will test the endurance of both fast and slow BPMs. 

Alex Montoya (Partner Analog Agency / Time Warp Spain / Bassement Club)
Hayley Illing (TOYTOY Resident / And Club Social & Marketing Manager)

Fandom: The Power of Community Over Mass Appeal

Forget mass marketing—2025 is about fandom. The rise of community-driven engagement is reshaping how electronic music connects with its audience. 

I see people wanting a more authentic output. Solid sets, high-quality tracks, and real connection between artists and the crowd. It will be a challenge to have a consistent output while keeping the quality. Lorenzo TNC (Content Creator)

Katie Knight (Presenter) captures this shift perfectly: “Some of the most interesting marketing work happening in dance music right now, both for events and recorded music, revolves around fans being seen and valued. Think Fred Again’s secret listening parties; Maribou State and their super limited edition orange vinyl just for superfans. A move away from mass audience building, towards genuine fan communities.”

Lorenzo TNC (Content Creator) expands on this, with a clear point on the importance of authenticity: “People are tired of gimmicks. I see people wanting a more authentic output from the scene. Solid sets, high-quality tracks, and a real connection between artists and the crowd. That’s going to be a challenge for everyone – being able to have a consistent output while keeping the quality. But it is a great opportunity to keep the scene at the highest level possible.”This shift also applies to rethinking how events foster real-life interactions, as the risk of detachment is real. Andrea Rosen (Portfolio Manager Best Nights VC / Androosh) puts it bluntly: “Big parties and events are great, but behaviour is showing the desire to feel as connected as possible and not get lost in it. Creating more niche opportunities, inclusive yet targeted atmospheres, will allow for deeper connection in electronic music.”

The takeaway? Expect more underground events with hand-picked audiences, limited releases, and direct-to-fan experiences that assure loyalty over reach.

Katie Knight (Presenter)
Andrea Rosen (Portfolio Manager Best Nights VC / Androosh)

The AI Disruption: Creativity or Chaos?

AI in electronic music is no longer a futuristic concept—it’s happening now. From AI-generated vocals to real-time mastering, the production landscape is shifting, leaving artists divided between opportunity and threat.

Whatever Charles (theBasement Discos Label Manager) believes AI is set to revolutionize the creative process: “AI is disrupting music production. From instantly generating vocals from scratch, to creating complementary textures for your tracks, to capturing a kick of a song you like almost perfectly. The audience will still be looking for that ‘something’ that only humans can convey, but if intelligently integrated, the workflow will be improved. Adapt to these tools to avoid being left out.”

Whatever Charles (theBasement Discos Label Manager)

Hayley Illing (TOYTOY Resident / And Club Social & Marketing Manager) agrees, adding: “We’re already seeing AI tools assist in everything and this will also be seen in the creative process of producers, hopefully used in an innovative way to shake up how music is produced.”

But let’s be real: will listeners embrace AI-enhanced music, or will they demand authenticity in an era of machine-generated tracks? 2025 is the year we find out.

If one thing is clear, it’s that 2025 isn’t about playing it safe. Whether it’s AI-powered creativity, underground club movements, or fan-first marketing strategies, those who adapt, experiment, and embrace change will shape the future of electronic music.

The industry is shifting fast—are you ready?